Unit of competency Outline
Date retreived
23/07/2026 12:24 AM AWST
23/07/2026 12:24 AM AWST
Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.
Refine carving techniques for creative work
Refine carving techniques for creative work
Unit of competency
National Code
CUVACD514A
CUVACD514A
State Code
S7618
S7618
TGA Status
Replaced
Replaced
DTWD Status
Replaced
Replaced
State Implementation and Classification
Approved Date
12/12/2012
Field of Education
100301 - Fine Arts
Original Release Date
12/12/2012
Nominal Hours
55
Description
This unit describes the performance outcomes, skills and knowledge required to refine technical expertise in carving stone, wood or other hard materials for sculptural work.
Notes
Elements and Performance Criteria
1. Evaluate design and production requirements for carving projects
- 1.1 Establish technical specifications and creative parameters for carving projects
- 1.2 Liaise with relevant people about the project as required
- 1.3 Prepare documentation to support the carving process as required
- 1.4 Develop a plan of work for the project
2. Select and prepare resources for the carving project
- 2.1 Select material to be carved based on how its particular characteristics support the design objectives
- 2.2 Apply techniques to prepare the material to be carved
- 2.3 Take account of sustainability considerations within the confines of the design brief
- 2.4 Evaluate carving tools required to achieve the design outcome
- 2.5 Select and set up equipment, materials and tools following all safety requirements and instructions
- 2.6 Apply safe strategies for the use, maintenance and storage of carving tools and equipment
3. Carve and finish sculptural work
- 3.1 Rough out the work and remove redundant material in preparation for detailed carving work
- 3.2 Mark the material as required to support the carving process
- 3.3 Define the form of the work through use of varied techniques and tools
- 3.4 Achieve precision and accuracy in use of carving techniques as work progresses
- 3.5 Allow the characteristics of the material to influence the carving process when appropriate
- 3.6 Recognise and resolve technical and design challenges
- 3.7 Inspect the overall items for unwanted flaws and marks, and take action to rectify
- 3.8 Apply chosen finishing technique to carved work
4. Evaluate carving work
- 4.1 Review carving work for its technical proficiency and quality of finish
- 4.2 Assess the work in terms of its creative and aesthetic objectives
- 4.3 Identify and act on the potential for adjustment and refinement in future work
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Technical specifications may relate to:
cost of production
durability and strength
how and where the item is to be viewed, placed or used
need for models or maquettes
number and size of items to be produced
type of material to be used.
Creative parameters may relate to:
extent to which the design may be adjusted during production
ideas and messages to be communicated
flexibility around use of materials
location for the work.
Relevant people may include:
artists
designers
mentors
peers
stone or wood experts
teachers
tradespeople.
Characteristics may relate to:
colour
ease of carving
direction of the bed
grain
durability
natural patterns within the material
shape
suitability of location for the work.
Carving tools may include:
angle grinders
chisels:
flat
pointed
round ended
tooth
splitting
drills
hammers
rasps
rifflers
veiners.
Equipment may include:
bankers or benches
fixed machinery
lifting equipment.
Materials may include:
stone:
metamorphic
igneous
sedimentary
wood:
hardwood
softwood.
Safety requirements may relate to:
personal protective equipment (PPE), such as:
dust masks
ear plugs
safety glasses
use of chemicals
use of gas
use of tools
work space set-up.
Carving techniques may include:
chip
flat plane (for wood)
relief.
Technical and design challenges may relate to:
aesthetic appeal
elements and principles of design
holes and cracks
joining challenges
strength and durability
time for production
unwanted marks or blemishes and how to remove them
ways to turn faults into creative opportunities.
Finishing techniques may include use of:
oxides
polishing
resins
sanding
varnishes
wax.
Technical specifications may relate to:
cost of production
durability and strength
how and where the item is to be viewed, placed or used
need for models or maquettes
number and size of items to be produced
type of material to be used.
Creative parameters may relate to:
extent to which the design may be adjusted during production
ideas and messages to be communicated
flexibility around use of materials
location for the work.
Relevant people may include:
artists
designers
mentors
peers
stone or wood experts
teachers
tradespeople.
Characteristics may relate to:
colour
ease of carving
direction of the bed
grain
durability
natural patterns within the material
shape
suitability of location for the work.
Carving tools may include:
angle grinders
chisels:
flat
pointed
round ended
tooth
splitting
drills
hammers
rasps
rifflers
veiners.
Equipment may include:
bankers or benches
fixed machinery
lifting equipment.
Materials may include:
stone:
metamorphic
igneous
sedimentary
wood:
hardwood
softwood.
Safety requirements may relate to:
personal protective equipment (PPE), such as:
dust masks
ear plugs
safety glasses
use of chemicals
use of gas
use of tools
work space set-up.
Carving techniques may include:
chip
flat plane (for wood)
relief.
Technical and design challenges may relate to:
aesthetic appeal
elements and principles of design
holes and cracks
joining challenges
strength and durability
time for production
unwanted marks or blemishes and how to remove them
ways to turn faults into creative opportunities.
Finishing techniques may include use of:
oxides
polishing
resins
sanding
varnishes
wax.
The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the ability to:
carve multiple artistic or functional pieces that demonstrate independent technical proficiency in carving technique and meet creative objectives for the work
select materials that maximise opportunity to meet design objectives
apply safe work practices with carving equipment and materials.
Context of and specific resources for assessment
Assessment must ensure:
access to carving materials, tools and equipment
a work space in which items can be constructed safely.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
direct observation of the candidate using carving techniques
evaluation of carved items made by the candidate
questioning and discussion about candidate’s work processes and intentions
review of portfolios of evidence
review of third-party reports from experienced practitioners.
Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities, and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
CUVSCU501A Refine sculptural techniques.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the ability to:
carve multiple artistic or functional pieces that demonstrate independent technical proficiency in carving technique and meet creative objectives for the work
select materials that maximise opportunity to meet design objectives
apply safe work practices with carving equipment and materials.
Context of and specific resources for assessment
Assessment must ensure:
access to carving materials, tools and equipment
a work space in which items can be constructed safely.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
direct observation of the candidate using carving techniques
evaluation of carved items made by the candidate
questioning and discussion about candidate’s work processes and intentions
review of portfolios of evidence
review of third-party reports from experienced practitioners.
Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities, and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
CUVSCU501A Refine sculptural techniques.
Replaced By
| State Code | National Code | Title | Type |
|---|---|---|---|
| AWK17 | CUAACD514 | Refine carving techniques for creative work | Unit of competency |
| State Code | National Code | Title | Type |
|---|---|---|---|
| D662 | CUV50211 | Diploma of Ceramics | Qualification |
| D665 | CUV60211 | Advanced Diploma of Visual Arts | Qualification |
| D657 | CUV50111 | Diploma of Visual Arts | Qualification |