Unit of competency Outline
Date retreived
22/07/2026 1:11 PM AWST
22/07/2026 1:11 PM AWST
Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.
Realise a creative project
Realise a creative project
Unit of competency
National Code
CUVPRP401A
CUVPRP401A
State Code
S7745
S7745
TGA Status
Replaced
Replaced
DTWD Status
Replaced
Replaced
State Implementation and Classification
Approved Date
16/05/2014
Field of Education
100399 - Visual Arts And Crafts, N.e.c.
Original Release Date
16/05/2014
Nominal Hours
55
Description
This unit describes the performance outcomes, skills and knowledge required to organise and realise a creative project from the development of ideas to the creation of the work. The result may be creative work in any media.
Notes
Elements and Performance Criteria
1. Develop ideas for project work
- 1.1 Identify and analyse sources that inform ideas for work
- 1.2 Explore ideas using visual representation and design tools
- 1.3 Consider possible constraints, based on nature and purpose of work
- 1.4 Challenge and play with ideas, and engage with others as required
- 1.5 Refine and select options based on own analysis and communication with others
2. Organise the creative project
- 2.1 Confirm the scope and objectives of the work in consultation with relevant people as required
- 2.2 Organise financial, physical and other resources
- 2.3 Evaluate safety considerations for the project
- 2.4 Consider options for documenting and recording work and the ideas and research that inform it
- 2.5 Document the production of work using selected approaches
- 2.6 Monitor the project workflow against the plan
3. Create finished work
- 3.1 Extend skills in manipulating selected materials, processes and technologies to fulfil project objectives
- 3.2 Critique work in progress and make adjustments as required
- 3.3 Apply safe work practices relevant to the chosen creative form
4. Evaluate own work
- 4.1 Reflect on own work in terms of conceptual development, technical execution and professional potential
- 4.2 Identify areas for future improvement especially in terms of own skill development
- 4.3 Evaluate overall work process for efficiency and effectiveness
- 4.4 Seek input from others as required and respond positively to feedback
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Sources may include:
art critics
art history texts
artworks
cultural theorists
design ideas
exhibitions
films
galleries
images
internet
journal articles
museums
myths and legends
objects
oral history
own experience
performances
presentations
philosophers
social commentators
technical or medium-specific information
writings.
Ideas may relate to:
relationship of the work to a theoretical and historical or contemporary context
relationship of the work to new and emerging technology and its current and potential application
subject matter or theme for the work, such as:
identity
land and place
political, cultural and social issues
the body
spiritual concerns.
Constraints may include:
availability of materials, tools and equipment
budget
safety requirements
saleability
sponsorship
time.
Ways toengage with others may include:
face-to-face discussions
virtual communication.
Scope and objectives of the workmay relate to:
brief for the work
competition criteria
creative criteria
ideas to be communicated
number of items to be produced
potential to exhibit and sell
self-development potential
time for creation.
Relevant people may include:
employers
mentors
other artists
other creative practitioners
peers
potential customers
supervisor
teachers.
Options for documenting and recording workmay involve developing:
blogs or wikis
digital presentations
notes and other written text
online forums
photographic records
physical portfolios
practice pieces
verbal presentations
visual diaries.
Efficiency and effectivenessmay relate to:
aesthetic or functional quality of the work
completion on budget
completion on time
positive or negative impact on own health
quality of the work
success in communicating ideas
technical standard of work.
Sources may include:
art critics
art history texts
artworks
cultural theorists
design ideas
exhibitions
films
galleries
images
internet
journal articles
museums
myths and legends
objects
oral history
own experience
performances
presentations
philosophers
social commentators
technical or medium-specific information
writings.
Ideas may relate to:
relationship of the work to a theoretical and historical or contemporary context
relationship of the work to new and emerging technology and its current and potential application
subject matter or theme for the work, such as:
identity
land and place
political, cultural and social issues
the body
spiritual concerns.
Constraints may include:
availability of materials, tools and equipment
budget
safety requirements
saleability
sponsorship
time.
Ways toengage with others may include:
face-to-face discussions
virtual communication.
Scope and objectives of the workmay relate to:
brief for the work
competition criteria
creative criteria
ideas to be communicated
number of items to be produced
potential to exhibit and sell
self-development potential
time for creation.
Relevant people may include:
employers
mentors
other artists
other creative practitioners
peers
potential customers
supervisor
teachers.
Options for documenting and recording workmay involve developing:
blogs or wikis
digital presentations
notes and other written text
online forums
photographic records
physical portfolios
practice pieces
verbal presentations
visual diaries.
Efficiency and effectivenessmay relate to:
aesthetic or functional quality of the work
completion on budget
completion on time
positive or negative impact on own health
quality of the work
success in communicating ideas
technical standard of work.
The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the ability to:
take responsibility for the complete process of producing creative work
develop and refine technical and conceptual skills through a demonstrated process of experimentation
produce work that reflects an emerging individual style
document the work from initial idea to realisation
communicate effectively with others about ideas
evaluate work in an informed way
use safe and sustainable work practices.
Context of and specific resources for assessment
Assessment must ensure access to:
appropriate resources for the production of work, including work space, tools, equipment and materials
studio and workshop facilities.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
evaluation of creative work produced by the candidate
evaluation of processes used by the candidate to conceive, plan and realise the creative work
direct observation of work in progress
evaluation of a candidate’s visual diary or other forms of documentation showing the development of the work
group peer review of the work
questioning and discussion about candidate’s intentions and the work outcome
review of portfolios of evidence
review of third-party reports from experienced practitioners.
Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities, and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
specialisation units for any creative form.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the ability to:
take responsibility for the complete process of producing creative work
develop and refine technical and conceptual skills through a demonstrated process of experimentation
produce work that reflects an emerging individual style
document the work from initial idea to realisation
communicate effectively with others about ideas
evaluate work in an informed way
use safe and sustainable work practices.
Context of and specific resources for assessment
Assessment must ensure access to:
appropriate resources for the production of work, including work space, tools, equipment and materials
studio and workshop facilities.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
evaluation of creative work produced by the candidate
evaluation of processes used by the candidate to conceive, plan and realise the creative work
direct observation of work in progress
evaluation of a candidate’s visual diary or other forms of documentation showing the development of the work
group peer review of the work
questioning and discussion about candidate’s intentions and the work outcome
review of portfolios of evidence
review of third-party reports from experienced practitioners.
Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities, and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
specialisation units for any creative form.
Replaced By
| State Code | National Code | Title | Type |
|---|---|---|---|
| AWH31 | CUAPPR401 | Realise a creative project | Unit of competency |
| State Code | National Code | Title | Type |
|---|---|---|---|
| D654 | CUV40211 | Certificate IV in Aboriginal or Torres Strait Islander Cultural Arts | Qualification |
| D668 | CUV40311 | Certificate IV in Design | Qualification |
| AWC0 | ICP40815 | Certificate IV in ePublishing | Qualification |
| YO21 | 52762WA | Diploma of Fashion Products and Markets | Accredited course |
| J700 | CUA40413 | Certificate IV in Live Production and Technical Services | Qualification |
| D658 | CUV40111 | Certificate IV in Visual Arts | Qualification |