Unit of competency Outline
Date retreived
23/07/2026 12:57 AM AWST
23/07/2026 12:57 AM AWST
Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.
Assemble and maintain props
Assemble and maintain props
Unit of competency
National Code
CUFPRP301A
CUFPRP301A
State Code
D1183
D1183
TGA Status
Replaced
Replaced
DTWD Status
Replaced
Replaced
State Implementation and Classification
Approved Date
09/03/2012
Field of Education
100103 - Drama And Theatre Studies
Original Release Date
09/03/2012
Nominal Hours
20
Description
This unit describes the performance outcomes, skills and knowledge required to assemble and maintain props for productions in the film, television, media and entertainment industry sectors.Key duties include acquisition, assembly and maintenance of required props. In addition, props personnel assist in dressing sets and are responsible for maintaining continuity of props during productions.As a rule, props personnel require good organisational skills, a capacity to adapt to unexpected situations and an ability to carry out repairs and maintenance.No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement.
Notes
Elements and Performance Criteria
Prepare props for productions
- 1. Liaise with relevant production personnel to confirm production requirements
- 2. Review and analyse all documentation relevant to productions to ensure prop requirements are fully met
- 3. Confirm availability of secure storage facility for props on location and arrange for safe transport to destination
- 4. Ensure props are labelled and stored correctly to facilitate production requirements, including provision and care of consumables where applicable
- 5. Document condition of props from all sources to ensure they meet required quality standards for production
- 6. Ensure production personnel are briefed thoroughly on use, functions and placement of props, including requirements for complying with OHS regulations
Dress sets
- 7. Assist relevant production personnel to dress sets according to production requirements ensuring safe handling of props
- 8. Record accurately placement of props on set and ensure duplicates are available where applicable
- 9. Complete and check the set dressing in time to meet production calls
- 10. Confirm required variations to initial production plans with relevant production personnel
- 11. Identify and sequence set strike and re-dress tasks according to production requirements and deadlines
- 12. Observe on-set etiquette and protocols at all times
Maintain continuity during productions
- 13. Ensure changes to continuity are updated on an ongoing basis and are accurately recorded on script breakdown
- 14. Make arrangements for replacement of props with specific characteristics to maintain continuity during productions, including reliability of supplies
- 15. Dress sets on an ongoing basis throughout productions to replicate or adjust from previous takes or scenes as directed
- 16. Refer at all times to continuity documentation during productions and carry out dressing duties as required
Maintain condition of props
- 17. Use appropriate materials and techniques to complete minor repairs or alterations as required or refer to relevant production personnel according to individual level of responsibility
- 18. Assess whether damaged props can continue to be used in production and arrange for replacements where necessary after referral to relevant production personnel
- 19. Ensure consumable props are handled and stored according to OHS regulations and enterprise procedures
- 20. Ensure props no longer required during production are stored securely and safely or returned to original sources in good condition
- 21. Finalise required documentation in accordance with enterprise procedures and protocols
RANGE STATEMENT
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Production personnel may include:
armourer
art director
costume designer
designer
director
director of photography
floor manager
head of department
performer
producer
production designer
production manager
props department personnel
props maker
props manager
props storeman
set designer
stand-by props personnel
technical director
wardrobe department personnel
wardrobe supervisor and manager
other technical/specialist staff.
Production requirements may include:
day and night
deadlines
hazardous situations
interior and exterior
multiple locations
operational cooking facilities, e.g. gas stove
special effects, e.g. rain or war zone
special vehicles.
Documentation may be:
call sheets
colour charts
computer generated
confirmation of receipt and dispatch notes
continuity reports and checklists
descriptive props checklists
fault reports
hire agreements
manually written
manufacture schedules
manufacturer specifications and instructions
measurement charts
memos of instruction
paint colour formulas
production schedules
props breakdown lists
props design
props schedules and plans
running sheets
sketches
stock orders
stock reports
technical drawings.
Productions may include:
animations
commercials
documentaries
feature films
interactive media
live or pre-recorded television productions
live theatre and events
music video
short films
television productions of any type.
Storage facility may include:
car boot
caravan
lock-up facility
office
on-site shed
safe
secure strong box
warehouse.
Props may include:
cable controlled props
consumables, such as:
food and beverages
blood and gore
fireworks
pyrotechnics
cigarettes
candles
costume props, such as:
armour
weapons
jewellery
electrically controlled
equipment
furniture
hand props
mechanised props
pneumatically controlled props
pre-production prototypes
special effects props
vehicles.
Locations may include:
in a studio
on location - exterior
on location - interior
outside broadcast
sound stage
theatre or entertainment venue.
Sources may include:
corporate sponsors
hirers
individuals
museums
retail suppliers
ships chandlers
theatres.
OHS regulations may include:
Australian Recommended Safety Code for Film and Television
commonwealth, state and territory OHS regulations
relevant local government construction rules and regulations
relevant national and international standards, guidelines and codes of practice, e.g. the Building Code of Australia.
Set dressing may include:
hanging pictures
photographs
placement of props
provision of working props, e.g. stoves and sinks
pyrotechnics
replacement of consumable props.
Characteristics may include:
props with changing properties, such as:
cigarettes
food
drinks
letter writing paper
inkwells
special effects props.
Continuity documentation may include:
labels
photographs
polaroids.
Materials may include:
adhesives
fabrics
fasteners
fibre glass
gaffer tape
leather
metal products, e.g.:
bars
sheets
tubes
nails and screws
paints
paper products
plaster
plaster board
plastics
polystyrene
putties of various types
spare parts
thermoplastic
timber
timber products, e.g.:
plywood
particle board
craftwood
tools.
Techniques may include:
moulding materials
painting materials
sculpting and other shaping methods
gluing
metalwork, e.g.:
cutting
welding
brazing
woodworking.
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Production personnel may include:
armourer
art director
costume designer
designer
director
director of photography
floor manager
head of department
performer
producer
production designer
production manager
props department personnel
props maker
props manager
props storeman
set designer
stand-by props personnel
technical director
wardrobe department personnel
wardrobe supervisor and manager
other technical/specialist staff.
Production requirements may include:
day and night
deadlines
hazardous situations
interior and exterior
multiple locations
operational cooking facilities, e.g. gas stove
special effects, e.g. rain or war zone
special vehicles.
Documentation may be:
call sheets
colour charts
computer generated
confirmation of receipt and dispatch notes
continuity reports and checklists
descriptive props checklists
fault reports
hire agreements
manually written
manufacture schedules
manufacturer specifications and instructions
measurement charts
memos of instruction
paint colour formulas
production schedules
props breakdown lists
props design
props schedules and plans
running sheets
sketches
stock orders
stock reports
technical drawings.
Productions may include:
animations
commercials
documentaries
feature films
interactive media
live or pre-recorded television productions
live theatre and events
music video
short films
television productions of any type.
Storage facility may include:
car boot
caravan
lock-up facility
office
on-site shed
safe
secure strong box
warehouse.
Props may include:
cable controlled props
consumables, such as:
food and beverages
blood and gore
fireworks
pyrotechnics
cigarettes
candles
costume props, such as:
armour
weapons
jewellery
electrically controlled
equipment
furniture
hand props
mechanised props
pneumatically controlled props
pre-production prototypes
special effects props
vehicles.
Locations may include:
in a studio
on location - exterior
on location - interior
outside broadcast
sound stage
theatre or entertainment venue.
Sources may include:
corporate sponsors
hirers
individuals
museums
retail suppliers
ships chandlers
theatres.
OHS regulations may include:
Australian Recommended Safety Code for Film and Television
commonwealth, state and territory OHS regulations
relevant local government construction rules and regulations
relevant national and international standards, guidelines and codes of practice, e.g. the Building Code of Australia.
Set dressing may include:
hanging pictures
photographs
placement of props
provision of working props, e.g. stoves and sinks
pyrotechnics
replacement of consumable props.
Characteristics may include:
props with changing properties, such as:
cigarettes
food
drinks
letter writing paper
inkwells
special effects props.
Continuity documentation may include:
labels
photographs
polaroids.
Materials may include:
adhesives
fabrics
fasteners
fibre glass
gaffer tape
leather
metal products, e.g.:
bars
sheets
tubes
nails and screws
paints
paper products
plaster
plaster board
plastics
polystyrene
putties of various types
spare parts
thermoplastic
timber
timber products, e.g.:
plywood
particle board
craftwood
tools.
Techniques may include:
moulding materials
painting materials
sculpting and other shaping methods
gluing
metalwork, e.g.:
cutting
welding
brazing
woodworking.
EVIDENCE GUIDE
The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the following is essential:
ability to:
assemble props required for productions
maintain props continuity during productions
handle hazardous materials and equipment in a safe manner
collaborative approach to work
effective verbal and written communication skills.
Context of and specific resources for assessment
Assessment must ensure:
completion of props assembly tasks within typical workplace time constraints
access to a range of props used in productions
access to productions requiring a range of props
access to appropriate learning and assessment support when required
use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
direct questioning combined with review of portfolios of evidence and third-party workplace reports of on-the-job performance
direct observation of the candidate assembling props for productions
inspection of props assembled by the candidate to determine whether production requirements have been met and proper procedures followed
review of props continuity documentation prepared by the candidate
written or oral questioning to test knowledge as listed in the required skills and knowledge section of this unit.
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
CUFPRP201A Repair, maintain and alter props.
The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the following is essential:
ability to:
assemble props required for productions
maintain props continuity during productions
handle hazardous materials and equipment in a safe manner
collaborative approach to work
effective verbal and written communication skills.
Context of and specific resources for assessment
Assessment must ensure:
completion of props assembly tasks within typical workplace time constraints
access to a range of props used in productions
access to productions requiring a range of props
access to appropriate learning and assessment support when required
use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
direct questioning combined with review of portfolios of evidence and third-party workplace reports of on-the-job performance
direct observation of the candidate assembling props for productions
inspection of props assembled by the candidate to determine whether production requirements have been met and proper procedures followed
review of props continuity documentation prepared by the candidate
written or oral questioning to test knowledge as listed in the required skills and knowledge section of this unit.
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
CUFPRP201A Repair, maintain and alter props.
Replaced By
| State Code | National Code | Title | Type |
|---|---|---|---|
| AWH07 | CUAPRP301 | Assemble and maintain props | Unit of competency |
| State Code | National Code | Title | Type |
|---|---|---|---|
| J696 | CUA30413 | Certificate III in Live Production and Services | Qualification |
| D194 | CUF30307 | Certificate III in Scenery and Set Construction | Qualification |
| D200 | CUF40607 | Certificate IV in Scenery and Set Construction | Qualification |