Unit of competency Outline
Date retreived
22/07/2026 1:05 AM AWST
22/07/2026 1:05 AM AWST
Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.
Create a final sound balance
Create a final sound balance
Unit of competency
National Code
CUSSOU15A
CUSSOU15A
State Code
C4033
C4033
TGA Status
Replaced
Replaced
DTWD Status
Replaced
Replaced
State Implementation and Classification
Approved Date
19/04/2002
Field of Education
031303 - Electronic Engineering
Original Release Date
19/04/2002
Nominal Hours
80
Description
Notes
Elements and Performance Criteria
No information
Types of equipment include:
speakers
mixing consoles
equalisers
reverberation
limiters
compressors
effects rack
tape machines
CD player/burner
DAT machines
mini disc
hard disc recorder
DVD
CD ROM
MP 3
WWW server
Betacom machine
Productions may include:
videos
animation
corporate video
training videos
drama programs
variety and lifestyle programs
music videos
music programs
commercials/advertisements
interactive multimedia
Relevant personnel may include:
producers
directors
artists
editors
station managers
broadcasters
performers
other technical staff
other specialist staff
Written materials may include:
cue sheets
Sound components may include:
dialogue
ADR (additional dialogue recording)
effects
music
foley
atmosphere
Characteristics of sound sources may include:
level
tonal quality
perspective
acoustic
dynamic range
intelligibility
position/image
mono
stereo
Production requirements may include:
artistic
technical
financial
timelines/deadlines
production schedules
production and venue requirements
organisational policies and procedures
resources
organisational and legislative occupational health and safety requirements
speakers
mixing consoles
equalisers
reverberation
limiters
compressors
effects rack
tape machines
CD player/burner
DAT machines
mini disc
hard disc recorder
DVD
CD ROM
MP 3
WWW server
Betacom machine
Productions may include:
videos
animation
corporate video
training videos
drama programs
variety and lifestyle programs
music videos
music programs
commercials/advertisements
interactive multimedia
Relevant personnel may include:
producers
directors
artists
editors
station managers
broadcasters
performers
other technical staff
other specialist staff
Written materials may include:
cue sheets
Sound components may include:
dialogue
ADR (additional dialogue recording)
effects
music
foley
atmosphere
Characteristics of sound sources may include:
level
tonal quality
perspective
acoustic
dynamic range
intelligibility
position/image
mono
stereo
Production requirements may include:
artistic
technical
financial
timelines/deadlines
production schedules
production and venue requirements
organisational policies and procedures
resources
organisational and legislative occupational health and safety requirements
Underpinning knowledge and skills
Assessment must include evidence of essential knowledge of, and skills in, the following areas:
ability to demonstrate originality and innovative approaches in the use and organisation of musical elements
listening critically to continuously evaluate and adjust the sound balance
understanding of artistic issues and artists and their work
the principles and techniques of sound
knowledge of OHS procedures
the artistic, technical and operational requirements of production
how to identify accurately the characteristics of the sound source
relevant acoustic principles and their application in sound recording
operational knowledge of a range of sound production equipment and amplifiers
features and operating characteristics of noise reduction systems
compatibility with mono, stereo or multi-channel systems
knowledge of time code equipment and its relevant use
use of format encoders and decoders
how to identify, develop and evaluate creative possibilities
Linkages to other units
This unit has strong linkages to the following units and combined training delivery and/or assessment is recommended:
CUSSOU04A Record sound
CUSSOU09A Mix sound sources
CUSSOU11A Operate a sound mixing console
CUSSOU24A Edit sound using computerised digital equipment/systems
CUSSOU07A Edit sound using analogue systems
CUSSOU06A Develop sound design
CUSSOU22A Implement sound design
CUSSOU21A Direct a final audio master
Critical aspects of evidence
The following evidence is critical to the judgement of competence in this unit:
knowledge and application of relevant local OHS legislation
critical listening and aural discrimination
knowledge of sound terminology and the operations of a range of sound equipment
principles and techniques of sound
Method and context of assessment
Assessment of this unit would most effectively be undertaken on the job due to the specific workplace environment requirements. However, assessment of this unit can be undertaken in a simulated workplace environment that reproduces all the elements of a production situation including operating to a production schedule. The simulated assessment event should involve all the team members that would normally participate in a production and the use of current industry standard equipment.
Assessment methods must include observation of a practical demonstration. Direct observation may need to occur on more than one occasion to establish consistency of performance. Methods to assess the application of essential underpinning knowledge may include:
work samples or simulated workplace activities
oral questioning/interview
projects/reports/logbooks
third party reports and authenticated prior achievements
portfolios or other documentation which demonstrate the processes used in realising creative concept
Resource requirements
Assessment requires access to a range of up to date equipment as listed in the range of variables statement.
Communicating ideas and information
(3)
Collecting analysing and organising information
(3)
Planning and organising activities
(3)
Working with others and in teams
(3)
Using mathematical ideas and techniques
(3)
Solving problems
(3)
Using technology
(3)
Assessment must include evidence of essential knowledge of, and skills in, the following areas:
ability to demonstrate originality and innovative approaches in the use and organisation of musical elements
listening critically to continuously evaluate and adjust the sound balance
understanding of artistic issues and artists and their work
the principles and techniques of sound
knowledge of OHS procedures
the artistic, technical and operational requirements of production
how to identify accurately the characteristics of the sound source
relevant acoustic principles and their application in sound recording
operational knowledge of a range of sound production equipment and amplifiers
features and operating characteristics of noise reduction systems
compatibility with mono, stereo or multi-channel systems
knowledge of time code equipment and its relevant use
use of format encoders and decoders
how to identify, develop and evaluate creative possibilities
Linkages to other units
This unit has strong linkages to the following units and combined training delivery and/or assessment is recommended:
CUSSOU04A Record sound
CUSSOU09A Mix sound sources
CUSSOU11A Operate a sound mixing console
CUSSOU24A Edit sound using computerised digital equipment/systems
CUSSOU07A Edit sound using analogue systems
CUSSOU06A Develop sound design
CUSSOU22A Implement sound design
CUSSOU21A Direct a final audio master
Critical aspects of evidence
The following evidence is critical to the judgement of competence in this unit:
knowledge and application of relevant local OHS legislation
critical listening and aural discrimination
knowledge of sound terminology and the operations of a range of sound equipment
principles and techniques of sound
Method and context of assessment
Assessment of this unit would most effectively be undertaken on the job due to the specific workplace environment requirements. However, assessment of this unit can be undertaken in a simulated workplace environment that reproduces all the elements of a production situation including operating to a production schedule. The simulated assessment event should involve all the team members that would normally participate in a production and the use of current industry standard equipment.
Assessment methods must include observation of a practical demonstration. Direct observation may need to occur on more than one occasion to establish consistency of performance. Methods to assess the application of essential underpinning knowledge may include:
work samples or simulated workplace activities
oral questioning/interview
projects/reports/logbooks
third party reports and authenticated prior achievements
portfolios or other documentation which demonstrate the processes used in realising creative concept
Resource requirements
Assessment requires access to a range of up to date equipment as listed in the range of variables statement.
Communicating ideas and information
(3)
Collecting analysing and organising information
(3)
Planning and organising activities
(3)
Working with others and in teams
(3)
Using mathematical ideas and techniques
(3)
Solving problems
(3)
Using technology
(3)
Replaced By
| State Code | National Code | Title | Type |
|---|---|---|---|
| D2973 | CUSSOU504A | Create a final sound balance | Unit of competency |
| State Code | National Code | Title | Type |
|---|---|---|---|
| C380 | CUS50201 | Diploma of Music Industry (Technical Production) | Qualification |
| C412 | CUF50401 | Diploma of Screen | Qualification |
| C407 | CUF40401 | Certificate IV in Screen | Qualification |