Unit of competency Outline
Date retreived
22/07/2026 1:12 AM AWST
22/07/2026 1:12 AM AWST
Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.
Develop sound design
Develop sound design
Unit of competency
National Code
CUSSOU16A
CUSSOU16A
State Code
C4034
C4034
TGA Status
Replaced
Replaced
DTWD Status
Replaced
Replaced
State Implementation and Classification
Approved Date
20/08/2009
Field of Education
031303 - Electronic Engineering
Original Release Date
20/08/2009
Nominal Hours
51
Description
Notes
Elements and Performance Criteria
No information
Relevant production requirements include:
organisational policies and procedures
resources
budget
production schedules
timelines/deadlines
purpose and context of the product
markets
Equipment may include:
microphones
mixers
mixing console/desk - analogue, digital, digitally controlled analogue systems
speakers
monitors
amplifiers
effects units
musical instruments
MIDI
computer music devices/systems
CD player/burner
tape machine
turntables
sequencer
sampler/synthesiser
cassette tape
DAT
mini disc
reel to reel hard disc recorder
DVD
sound editing software including Protools, Fairlight
Relevant personnel may include:
clients
producers
directors
sound designers
sound editors
sound mixers
performers
other technical staff
other specialist staff
Relevant sound components may include:
dialogue
ADR (additional dialogue recording)
music
literal sound effects
sound samples
synthesised sound
atmospheric sound
ambient sound
sound FX (effects)
foley
Relevant presentation materials may include:
dubbing charts
cue sheets
scripts
storyboards
scores
oral descriptions
digital formats
recordings on appropriate formats
Types of productions may include:
feature films and videos
short films and videos
documentaries
drama programs
variety programs
news and current affairs
commercials/advertisements
talkback programs
live events and performances
music programs
interactive games/movies/reference
organisational policies and procedures
resources
budget
production schedules
timelines/deadlines
purpose and context of the product
markets
Equipment may include:
microphones
mixers
mixing console/desk - analogue, digital, digitally controlled analogue systems
speakers
monitors
amplifiers
effects units
musical instruments
MIDI
computer music devices/systems
CD player/burner
tape machine
turntables
sequencer
sampler/synthesiser
cassette tape
DAT
mini disc
reel to reel hard disc recorder
DVD
sound editing software including Protools, Fairlight
Relevant personnel may include:
clients
producers
directors
sound designers
sound editors
sound mixers
performers
other technical staff
other specialist staff
Relevant sound components may include:
dialogue
ADR (additional dialogue recording)
music
literal sound effects
sound samples
synthesised sound
atmospheric sound
ambient sound
sound FX (effects)
foley
Relevant presentation materials may include:
dubbing charts
cue sheets
scripts
storyboards
scores
oral descriptions
digital formats
recordings on appropriate formats
Types of productions may include:
feature films and videos
short films and videos
documentaries
drama programs
variety programs
news and current affairs
commercials/advertisements
talkback programs
live events and performances
music programs
interactive games/movies/reference
Underpinning knowledge and skills
Assessment must include evidence of essential knowledge of, and skills in, the following areas:
demonstrated originality and innovative approaches in the use and organisation of sound elements
ability to locate and use resources to broaden and enhance creative experience
listening critically to continuously evaluate and adjust the sound design
knowledge of sound terminology
understanding of special effects
knowledge of functions/operations of sound mixing consoles
knowledge of acoustic principles
connecting sound equipment
knowledge of and ability to operate signal processing and effects devices
knowledge of varied characteristics of sound in a range of environments
ability to balance tone colour by equalisation
manipulating input signals and gain structure using monitoring and metering functions, equalisers, filters, compressors/ expanders, faders and auxiliaries
knowledge of relevant organisational and or legislative OHS requirements, in particular safe noise levels
microphones, consoles, signal flow and acoustics appropriate to the project
knowledge of computer technologies relevant to sound production
ability to communicate effectively with others
Linkages to other units
This unit has linkages to the following units and combined training delivery and/or assessment is recommended:
CUSSOU22A Implement sound design
CUSSOU15A Create a final sound balance
Critical aspects of evidence
The following evidence is critical to the judgement of competence in this unit:
innovative and inventive organisation of sound elements
critical listening and aural discrimination
knowledge of sound terminology
principles and techniques of sound
the capacity to communicate effectively with clients and production personnel
Method and context of assessment
Assessment may take place on the job, off the job or a mix of both of these. Off the job assessment must be undertaken in a simulated workplace environment.
Assessment methods must include direct assessment of creative work in a sound design context. Direct observation may need to occur on more than one occasion to establish consistency of performance. Methods to assess the application of essential underpinning knowledge may include:
practical demonstration
work samples or simulated workplace activities
process diary
oral questioning/interview
projects/reports/logbooks
third party reports and authenticated prior achievements
portfolios or other documentation which demonstrate the processes used in realising creative concept
These methods should assist the assessor to evaluate the creative process followed by the candidate in generating, assessing and realising creative ideas.
Resource requirements
Assessment requires access to a range of up to date equipment listed in the range of variables statement.
Communicating ideas and information
(3)
Collecting analysing and organising information
(3)
Planning and organising activities
(3)
Working with others and in teams
(3)
Using mathematical ideas and techniques
(2)
Solving problems
(3)
Using technology
(3)
Assessment must include evidence of essential knowledge of, and skills in, the following areas:
demonstrated originality and innovative approaches in the use and organisation of sound elements
ability to locate and use resources to broaden and enhance creative experience
listening critically to continuously evaluate and adjust the sound design
knowledge of sound terminology
understanding of special effects
knowledge of functions/operations of sound mixing consoles
knowledge of acoustic principles
connecting sound equipment
knowledge of and ability to operate signal processing and effects devices
knowledge of varied characteristics of sound in a range of environments
ability to balance tone colour by equalisation
manipulating input signals and gain structure using monitoring and metering functions, equalisers, filters, compressors/ expanders, faders and auxiliaries
knowledge of relevant organisational and or legislative OHS requirements, in particular safe noise levels
microphones, consoles, signal flow and acoustics appropriate to the project
knowledge of computer technologies relevant to sound production
ability to communicate effectively with others
Linkages to other units
This unit has linkages to the following units and combined training delivery and/or assessment is recommended:
CUSSOU22A Implement sound design
CUSSOU15A Create a final sound balance
Critical aspects of evidence
The following evidence is critical to the judgement of competence in this unit:
innovative and inventive organisation of sound elements
critical listening and aural discrimination
knowledge of sound terminology
principles and techniques of sound
the capacity to communicate effectively with clients and production personnel
Method and context of assessment
Assessment may take place on the job, off the job or a mix of both of these. Off the job assessment must be undertaken in a simulated workplace environment.
Assessment methods must include direct assessment of creative work in a sound design context. Direct observation may need to occur on more than one occasion to establish consistency of performance. Methods to assess the application of essential underpinning knowledge may include:
practical demonstration
work samples or simulated workplace activities
process diary
oral questioning/interview
projects/reports/logbooks
third party reports and authenticated prior achievements
portfolios or other documentation which demonstrate the processes used in realising creative concept
These methods should assist the assessor to evaluate the creative process followed by the candidate in generating, assessing and realising creative ideas.
Resource requirements
Assessment requires access to a range of up to date equipment listed in the range of variables statement.
Communicating ideas and information
(3)
Collecting analysing and organising information
(3)
Planning and organising activities
(3)
Working with others and in teams
(3)
Using mathematical ideas and techniques
(2)
Solving problems
(3)
Using technology
(3)
Replaced By
| State Code | National Code | Title | Type |
|---|---|---|---|
| D2970 | CUSSOU501A | Develop sound designs | Unit of competency |
| State Code | National Code | Title | Type |
|---|---|---|---|
| 7537 | 51916 | Certificate IV in Interactive Games Development | Accredited course |
| C380 | CUS50201 | Diploma of Music Industry (Technical Production) | Qualification |
| C412 | CUF50401 | Diploma of Screen | Qualification |