Unit of competency Outline
Date retreived
22/07/2026 1:14 AM AWST
22/07/2026 1:14 AM AWST
Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.
Analyse music
Analyse music
Unit of competency
National Code
CUSMGE04A
CUSMGE04A
State Code
C3977
C3977
TGA Status
Replaced
Replaced
DTWD Status
Replaced
Replaced
State Implementation and Classification
Approved Date
17/08/2009
Field of Education
100101 - Music
Original Release Date
17/08/2009
Nominal Hours
63
Description
Notes
Elements and Performance Criteria
No information
Purposes for which analysis is undertaken may include:
research
marketing, including copy for brochures, CD covers or other promotional materials
educational purposes and materials
information
program notes
written or electronic media programs, presentations or live events
performance commentary
Analysis may be presented in:
written or verbal form
Appropriate parties may include:
tutor/teacher
mentor
designated workplace personnel
commissioning agent
marketing and/or promotions agent
editor
producer
presenter
other relevant parties
Specific musical elements to be identified may include:
pitch
melody
harmony/chords
tonality
scales
ornamentation
form/structure
rhythm
time signatures
beat
tempo
timbre/tone colour
instrumentation
sound production
acoustics
texture
form/structure
style
genre
aesthetic qualities
cultural context
relationship to text
interpretation
expression
nuance
phrasing
articulation
dynamics
notation
Performance techniques or characteristics may involve:
musical expression
musical interpretation
demonstrated awareness of performance practice in the style or musical context
articulation
attack
phrasing
intonation
nuance
dynamics
interpretation of the music
technical performance standard
stage presence
communication with an audience
innovative performance practices or processes
other individual performance characteristics
Vocabulary may include:
all customary musical terms commonly used to describe the above elements in the nominated musical style or tradition
Style may include:
traditional, including European classical, or traditional music of any other cultures
all contemporary musical styles
jazz
world
popular
country
folk
all other musical styles, genres and/or traditions
Intended audience may include:
printed or live media audiences
concert audiences
music product consumers
students
the general public
Strategies for developing analytical skills may include:
listening critically to a wide range of live and recorded music
participating in relevant networks, groups or associations
participating in professional development and other learning opportunities
contributing to/participating in, festivals and conferences
being involved in a range of music making activities
studying analytical techniques in a range of styles
Listening may include:
instrument tuning
aural cues
aural imagination
pattern and sequence recognition and memory
recognising music systems and practices
chords, keys in tonal or other musical systems
recalling musical sequences and/or themes from memory
Musical knowledge may include:
repertoire
instrument knowledge
harmony and scale systems
music analyses and research
musical forms, systems, practices and customs
reading and writing music using written music, sheet music and chord charts
interpretation of directions for instrumentation, voicing, expression, timbre, attack, pitch, tempi and dynamics
analysing aural cues
chordal and melodic formulae
Technical skills may include:
understanding of instruments and musical elements
familiarity with a range of techniques to control and enhance performance
performance techniques appropriate to style of music making
technical requirements of relevant instruments
research
marketing, including copy for brochures, CD covers or other promotional materials
educational purposes and materials
information
program notes
written or electronic media programs, presentations or live events
performance commentary
Analysis may be presented in:
written or verbal form
Appropriate parties may include:
tutor/teacher
mentor
designated workplace personnel
commissioning agent
marketing and/or promotions agent
editor
producer
presenter
other relevant parties
Specific musical elements to be identified may include:
pitch
melody
harmony/chords
tonality
scales
ornamentation
form/structure
rhythm
time signatures
beat
tempo
timbre/tone colour
instrumentation
sound production
acoustics
texture
form/structure
style
genre
aesthetic qualities
cultural context
relationship to text
interpretation
expression
nuance
phrasing
articulation
dynamics
notation
Performance techniques or characteristics may involve:
musical expression
musical interpretation
demonstrated awareness of performance practice in the style or musical context
articulation
attack
phrasing
intonation
nuance
dynamics
interpretation of the music
technical performance standard
stage presence
communication with an audience
innovative performance practices or processes
other individual performance characteristics
Vocabulary may include:
all customary musical terms commonly used to describe the above elements in the nominated musical style or tradition
Style may include:
traditional, including European classical, or traditional music of any other cultures
all contemporary musical styles
jazz
world
popular
country
folk
all other musical styles, genres and/or traditions
Intended audience may include:
printed or live media audiences
concert audiences
music product consumers
students
the general public
Strategies for developing analytical skills may include:
listening critically to a wide range of live and recorded music
participating in relevant networks, groups or associations
participating in professional development and other learning opportunities
contributing to/participating in, festivals and conferences
being involved in a range of music making activities
studying analytical techniques in a range of styles
Listening may include:
instrument tuning
aural cues
aural imagination
pattern and sequence recognition and memory
recognising music systems and practices
chords, keys in tonal or other musical systems
recalling musical sequences and/or themes from memory
Musical knowledge may include:
repertoire
instrument knowledge
harmony and scale systems
music analyses and research
musical forms, systems, practices and customs
reading and writing music using written music, sheet music and chord charts
interpretation of directions for instrumentation, voicing, expression, timbre, attack, pitch, tempi and dynamics
analysing aural cues
chordal and melodic formulae
Technical skills may include:
understanding of instruments and musical elements
familiarity with a range of techniques to control and enhance performance
performance techniques appropriate to style of music making
technical requirements of relevant instruments
Underpinning knowledge and skills
Assessment must include evidence of the following knowledge and skills:
Music knowledge
understanding of chosen styles and genres and the musical forms and conventions relevant to analysis
understanding relevant notation and/or discriminating music aurally to analyse music effectively
understanding and knowledge of repertoire relevant to chosen musical styles and/or genres
understanding appropriate musical protocols
Analytical craft
applying appropriate analytical methods of interpretation relevant to area of specialisation
retrieving and using appropriate resources to develop analysis
demonstrated ability to focus analysis on appropriate musical elements of composition and/or performance
articulating and communicating the analysis appropriately
Technical
understanding musical form and content relevant to chosen analytical work
accurately analysing a variety of scales, chord sequences and music systems, rhythms, time signatures, beat patterns or other elements of musical organisation
familiarity with music in a variety of styles and instrumental/vocal combinations and styles
Expression
articulating music analysis accurately and appropriately
using language appropriate to the intended audience
presenting analysis in a format appropriate to the intended audience or as agreed
Linkages to other units
This unit has strong linkages to, and may be assessed with, the following units:
CUSMGE05A Write music copy, criticism and/or program notes
CUSMGE06A Read music
CUSMGE07A Analyse harmony
Critical aspects of evidence
The following evidence is critical to the judgement of competence in this unit:
demonstrated understanding of relevant systems and musical elements of the music being analysed
responding accurately to aural or written cues
critical listening and aural memory
Method and context of assessment
Evidence of competence may be obtained through a variety of methods including:
oral questioning on written or recorded music
a relevant samples of work with candidate's evaluation
samples of work plans for planning music analysis
authenticated details of relevant courses or training sessions
authenticated details of relevant commercial or other achievements in musical analysis
relevant portfolio of candidate's analytical work
case studies as a basis for discussion of issues, methods and strategies for music analysis
aural and/or written assessment of analysis in the areas of specialisation nominated by the assessee
Competency in this unit may need to be assessed over a period of time, in a range of contexts and on multiple occasions involving a combination of direct, indirect and supplementary forms of evidence. It is a requirement of this unit that the assessee must nominate the area of music specialisation to be assessed.
Resource requirements
Competency in this unit should be assessed using all of the relevant resources commonly used in music analysis relevant to the candidate's nominated style and mode of expression. Specific assessment tools should include:
printed scores and/or performance (live or recorded) as required by the specialisation to be assessed
recordings or work portfolios
Communicating ideas and information
(3)
Collecting analysing and organising information
(3)
Planning and organising activities
(3)
Working with others and in teams
(2)
Using mathematical ideas and techniques
(0)
Solving problems
(3)
Using technology
(2)
Assessment must include evidence of the following knowledge and skills:
Music knowledge
understanding of chosen styles and genres and the musical forms and conventions relevant to analysis
understanding relevant notation and/or discriminating music aurally to analyse music effectively
understanding and knowledge of repertoire relevant to chosen musical styles and/or genres
understanding appropriate musical protocols
Analytical craft
applying appropriate analytical methods of interpretation relevant to area of specialisation
retrieving and using appropriate resources to develop analysis
demonstrated ability to focus analysis on appropriate musical elements of composition and/or performance
articulating and communicating the analysis appropriately
Technical
understanding musical form and content relevant to chosen analytical work
accurately analysing a variety of scales, chord sequences and music systems, rhythms, time signatures, beat patterns or other elements of musical organisation
familiarity with music in a variety of styles and instrumental/vocal combinations and styles
Expression
articulating music analysis accurately and appropriately
using language appropriate to the intended audience
presenting analysis in a format appropriate to the intended audience or as agreed
Linkages to other units
This unit has strong linkages to, and may be assessed with, the following units:
CUSMGE05A Write music copy, criticism and/or program notes
CUSMGE06A Read music
CUSMGE07A Analyse harmony
Critical aspects of evidence
The following evidence is critical to the judgement of competence in this unit:
demonstrated understanding of relevant systems and musical elements of the music being analysed
responding accurately to aural or written cues
critical listening and aural memory
Method and context of assessment
Evidence of competence may be obtained through a variety of methods including:
oral questioning on written or recorded music
a relevant samples of work with candidate's evaluation
samples of work plans for planning music analysis
authenticated details of relevant courses or training sessions
authenticated details of relevant commercial or other achievements in musical analysis
relevant portfolio of candidate's analytical work
case studies as a basis for discussion of issues, methods and strategies for music analysis
aural and/or written assessment of analysis in the areas of specialisation nominated by the assessee
Competency in this unit may need to be assessed over a period of time, in a range of contexts and on multiple occasions involving a combination of direct, indirect and supplementary forms of evidence. It is a requirement of this unit that the assessee must nominate the area of music specialisation to be assessed.
Resource requirements
Competency in this unit should be assessed using all of the relevant resources commonly used in music analysis relevant to the candidate's nominated style and mode of expression. Specific assessment tools should include:
printed scores and/or performance (live or recorded) as required by the specialisation to be assessed
recordings or work portfolios
Communicating ideas and information
(3)
Collecting analysing and organising information
(3)
Planning and organising activities
(3)
Working with others and in teams
(2)
Using mathematical ideas and techniques
(0)
Solving problems
(3)
Using technology
(2)
Replaced By
| State Code | National Code | Title | Type |
|---|---|---|---|
| D2917 | CUSMLT601A | Analyse music | Unit of competency |