Unit of competency Outline
Date retreived
23/07/2026 4:34 PM AWST
23/07/2026 4:34 PM AWST
Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.
Operate a camera under special conditions
Operate a camera under special conditions
Unit of competency
National Code
CUFCAM04A
CUFCAM04A
State Code
C4140
C4140
TGA Status
Replaced
Replaced
DTWD Status
Replaced
Replaced
State Implementation and Classification
Approved Date
19/04/2002
Field of Education
100701 - Audio Visual Studies
Original Release Date
19/04/2002
Nominal Hours
20
Description
Notes
Elements and Performance Criteria
No information
Special conditions refers to special environments where cameras may be set up and may include:
the filming of special effects
underwater
mounted to a dolly
mounted to a crane
the use of a jib
the use of a remote controlled camera
the use of a robotic camera
mounted to, or filmed from a moving vehicle, eg car, truck, bus etc
mounted to, or filmed from a moving vessel, eg ship, boat etc
mounted to, or filmed from a moving aircraft
mounted to, or filmed from a moving train
Special effects may include:
wind
snow
rain
storm effects: thunder, lightning
floods
explosions
flash pots
gun shots
pyrotechnic effects
mechanical
Operators of moving equipment may include:
pilots
train drivers
drivers of vehicles
boat crew
crane operator
dolly operator
Special equipment may include:
rig, track and mount equipment
harness equipment
protective clothing
special camera housings
sealed cabling or battery equipment
communication equipment
Protective clothing may include:
helmet
wetsuit
identifying colour and/or signage on clothing
insulated clothing
fire resistant clothing
Shots may include:
extreme close up
close up
mid shot
long shot
wide shot
high angle
eye level shot
low angle
establishing or master shot
point of view shot
cutaway shot
Camera movement may be:
static
pan
tilt
track in
track out
crab
crane
Shoots may include:
single
multi camera
Types of production may include:
electronic field production (EFP)
electronic news gathering (ENG)
feature films
documentaries
short films
animated productions
commercials
filmed events or performances
music video
television productions of any type, eg music, drama, comedy, variety, sport, current affairs
live or pre-recorded television productions
Equipment and accessories may include:
film camera of any type
underwater camera
Betacam
Betacam SP
Digital betacam
Cigar cam to any format
DVC Pro
DV Cam
Mini DV
1 inch tube
2/3 inch tube
2/3 inch CCD in both large format and portable configuration
video split monitor
lighting kit
lighting bulbs
lights
cables
mounts
lenses
filters
filter wheel
viewfinders
diopter
zoom demands
focus demands
shot boxes
cue card holders
headphones
autocue monitor
talkback
tallies and return video
Supports may include:
rigs and scaffolding
cranes
tracks and dollies
tripods
spreaders
fluid heads
pedestals
fixed mounts
Lenses may include:
zoom
fixed
macro
micro
Battery types may include:
Ni-Cad
lead/acid
lithium ION
metal halide
Production requirements for the shoot may include:
specific lighting conditions
technical
creative
script
news stories to be covered
location of assignment
Relevant personnel may include:
supervisor
head of department
director of photography
director
news producer/director/chief of staff
grip
gaffer
lighting personnel
technical director
other technical staff
other specialist staff
pilot
driver of vehicle
boat crew
train driver
performers
stunt performers
special effects personnel
safety officer
the filming of special effects
underwater
mounted to a dolly
mounted to a crane
the use of a jib
the use of a remote controlled camera
the use of a robotic camera
mounted to, or filmed from a moving vehicle, eg car, truck, bus etc
mounted to, or filmed from a moving vessel, eg ship, boat etc
mounted to, or filmed from a moving aircraft
mounted to, or filmed from a moving train
Special effects may include:
wind
snow
rain
storm effects: thunder, lightning
floods
explosions
flash pots
gun shots
pyrotechnic effects
mechanical
Operators of moving equipment may include:
pilots
train drivers
drivers of vehicles
boat crew
crane operator
dolly operator
Special equipment may include:
rig, track and mount equipment
harness equipment
protective clothing
special camera housings
sealed cabling or battery equipment
communication equipment
Protective clothing may include:
helmet
wetsuit
identifying colour and/or signage on clothing
insulated clothing
fire resistant clothing
Shots may include:
extreme close up
close up
mid shot
long shot
wide shot
high angle
eye level shot
low angle
establishing or master shot
point of view shot
cutaway shot
Camera movement may be:
static
pan
tilt
track in
track out
crab
crane
Shoots may include:
single
multi camera
Types of production may include:
electronic field production (EFP)
electronic news gathering (ENG)
feature films
documentaries
short films
animated productions
commercials
filmed events or performances
music video
television productions of any type, eg music, drama, comedy, variety, sport, current affairs
live or pre-recorded television productions
Equipment and accessories may include:
film camera of any type
underwater camera
Betacam
Betacam SP
Digital betacam
Cigar cam to any format
DVC Pro
DV Cam
Mini DV
1 inch tube
2/3 inch tube
2/3 inch CCD in both large format and portable configuration
video split monitor
lighting kit
lighting bulbs
lights
cables
mounts
lenses
filters
filter wheel
viewfinders
diopter
zoom demands
focus demands
shot boxes
cue card holders
headphones
autocue monitor
talkback
tallies and return video
Supports may include:
rigs and scaffolding
cranes
tracks and dollies
tripods
spreaders
fluid heads
pedestals
fixed mounts
Lenses may include:
zoom
fixed
macro
micro
Battery types may include:
Ni-Cad
lead/acid
lithium ION
metal halide
Production requirements for the shoot may include:
specific lighting conditions
technical
creative
script
news stories to be covered
location of assignment
Relevant personnel may include:
supervisor
head of department
director of photography
director
news producer/director/chief of staff
grip
gaffer
lighting personnel
technical director
other technical staff
other specialist staff
pilot
driver of vehicle
boat crew
train driver
performers
stunt performers
special effects personnel
safety officer
Underpinning skills and knowledge
Assessment must include evidence of essential knowledge of, and skills in, the following areas:
collecting and interpreting creative information, scripts and images
interpretation of creative requirements to technical operation
production scheduling
team communication skills
occupational health and safety requirements
a range of cameras and operational functions
basic concept of load and balance
cinematographic language
framing techniques and methods of composition
lens theory and application including range
characteristics of lenses
camera to subject practice, framing and composition, ie lens to eyeline, jump cuts, crossing the line, matching shots and general continuity
preparation of shot cards and shot description
different types of light measuring devices and their uses
use of light meters
camera supports
basic concepts and techniques of cable handling and compatibility with other equipment
duty of care to colleagues and the general public
occupational and public health and safety procedures in relation to lifting, climbing rigs, using electrical equipment
detailed knowledge of the Australian film industry recommended safety code
principles of clear communication and negotiation of problems
Linkages to other units:
This unit has linkages to the following units and combined training delivery and/or assessment may be appropriate:
CUFCAM03A Compose camera shots and operate a camera
Critical aspects of evidence
This unit of competence applies to a range of special conditions in which a camera is operated. The focus of assessment will depend on the specialisation. Assessment must be customised to meet the needs of the particular special condition in which performance is being assessed. Assessment should only address those variable circumstances, listed in the range of variables statements, which apply to the chosen context.
Care should be taken in developing training to meet the requirements of this unit. The specific focus of training will depend upon the special conditions covered. For generic pre-vocational training, organisations should provide training which will provide participants with a breadth knowledge and expertise, encompassing a range of special conditions.
The following evidence is critical to the judgement of competence in this unit:
the interpretation and implementation of commonwealth, state and territory occupational health and safety regulations, relevant national and international standards, guidelines and codes of practice, and relevant local government construction and safety legislation and regulation
effective verbal and written communication with a range of individuals/organisations
Method and context of assessment
Assessment may take place on the job, off the job or a mix of both of these. However, assessment of this unit would most effectively be undertaken on the job due to the specific workplace environment requirements.
Off the job assessment must be undertaken in a closely simulated workplace environment.
Assessment methods must include observation of performance during a practical demonstration. Direct observation may need to occur on more than one occasion to establish consistency of performance. Assessment may incorporate a range of methods to assess performance and the application of essential underpinning knowledge, and might include:
work samples or simulated workplace activities
oral questioning/interview aimed at evaluating the processes used in developing and realising the creative concept
projects/reports/logbooks
third party reports and authenticated prior achievements
portfolios of evidence which demonstrate the processes used in developing and realising the creative concept
Evidence of competence would be best obtained by evaluation of a number of camera operation tasks ensuring a wide coverage of special conditions.
Resource requirements
Assessment requires access to a range of equipment listed in the range of variables statement, currently used by the cultural industries.
Communicating ideas and information
(2)
Collecting analysing and organising information
(2)
Planning and organising activities
(3)
Working with others and in teams
(3)
Using mathematical ideas and techniques
(3)
Solving problems
(3)
Using technology
(3)
Assessment must include evidence of essential knowledge of, and skills in, the following areas:
collecting and interpreting creative information, scripts and images
interpretation of creative requirements to technical operation
production scheduling
team communication skills
occupational health and safety requirements
a range of cameras and operational functions
basic concept of load and balance
cinematographic language
framing techniques and methods of composition
lens theory and application including range
characteristics of lenses
camera to subject practice, framing and composition, ie lens to eyeline, jump cuts, crossing the line, matching shots and general continuity
preparation of shot cards and shot description
different types of light measuring devices and their uses
use of light meters
camera supports
basic concepts and techniques of cable handling and compatibility with other equipment
duty of care to colleagues and the general public
occupational and public health and safety procedures in relation to lifting, climbing rigs, using electrical equipment
detailed knowledge of the Australian film industry recommended safety code
principles of clear communication and negotiation of problems
Linkages to other units:
This unit has linkages to the following units and combined training delivery and/or assessment may be appropriate:
CUFCAM03A Compose camera shots and operate a camera
Critical aspects of evidence
This unit of competence applies to a range of special conditions in which a camera is operated. The focus of assessment will depend on the specialisation. Assessment must be customised to meet the needs of the particular special condition in which performance is being assessed. Assessment should only address those variable circumstances, listed in the range of variables statements, which apply to the chosen context.
Care should be taken in developing training to meet the requirements of this unit. The specific focus of training will depend upon the special conditions covered. For generic pre-vocational training, organisations should provide training which will provide participants with a breadth knowledge and expertise, encompassing a range of special conditions.
The following evidence is critical to the judgement of competence in this unit:
the interpretation and implementation of commonwealth, state and territory occupational health and safety regulations, relevant national and international standards, guidelines and codes of practice, and relevant local government construction and safety legislation and regulation
effective verbal and written communication with a range of individuals/organisations
Method and context of assessment
Assessment may take place on the job, off the job or a mix of both of these. However, assessment of this unit would most effectively be undertaken on the job due to the specific workplace environment requirements.
Off the job assessment must be undertaken in a closely simulated workplace environment.
Assessment methods must include observation of performance during a practical demonstration. Direct observation may need to occur on more than one occasion to establish consistency of performance. Assessment may incorporate a range of methods to assess performance and the application of essential underpinning knowledge, and might include:
work samples or simulated workplace activities
oral questioning/interview aimed at evaluating the processes used in developing and realising the creative concept
projects/reports/logbooks
third party reports and authenticated prior achievements
portfolios of evidence which demonstrate the processes used in developing and realising the creative concept
Evidence of competence would be best obtained by evaluation of a number of camera operation tasks ensuring a wide coverage of special conditions.
Resource requirements
Assessment requires access to a range of equipment listed in the range of variables statement, currently used by the cultural industries.
Communicating ideas and information
(2)
Collecting analysing and organising information
(2)
Planning and organising activities
(3)
Working with others and in teams
(3)
Using mathematical ideas and techniques
(3)
Solving problems
(3)
Using technology
(3)
Replaced By
| State Code | National Code | Title | Type |
|---|---|---|---|
| D1092 | CUFCAM501A | Shoot material for screen productions under special conditions | Unit of competency |
| State Code | National Code | Title | Type |
|---|---|---|---|
| C413 | CUF60101 | Advanced Diploma of Screen | Qualification |
| C412 | CUF50401 | Diploma of Screen | Qualification |
| C407 | CUF40401 | Certificate IV in Screen | Qualification |