Unit of competency Outline

Date retreived
22/07/2026 4:22 AM AWST

Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.

Manage and exploit copyright arrangements

Manage and exploit copyright arrangements

Unit of competency
National Code
CUFCMP501A
State Code
D1095
TGA Status
Replaced
DTWD Status
Replaced
Current Release Number
1.00
Current Release Date
18/04/2008
State Implementation and Classification
Approved Date
30/09/2014
Field of Education
090901 - Business And Commercial Law
Original Release Date
30/09/2014
Nominal Hours
50
Description
This unit describes the performance outcomes, skills and knowledge required to manage and exploit individual or collaborative copyright arrangements.This unit is related to CUFCMP301A Implement copyright arrangements.No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement.
Notes
Elements and Performance Criteria
Identify exploitation opportunities for original works
  • 1. Confirm original work is protected against unauthorised use
  • 2. Research potential for commercial exploitation of original work under copyright, intellectual property and licensing legislation
  • 3. Seek advice, as required, to ensure that copyright issues are fully addressed in terms of copyright owners exclusive rights and the rights of others
Protect original works locally and internationally
  • 4. Confirm original work is protected at local and international levels against illegal or unauthorised reproduction (in part or full)
  • 5. Confirm original work is protected at local and international levels against adaptations
  • 6. Confirm original work is protected at local and international levels against unauthorised communications
  • 7. Research and/or obtain reliable legal advice to ensure artists'/copyright owners' rights are protected
Assign copyright of original works
  • 8. Undertake appropriate planning in preparation to negotiate deals for original work
  • 9. Ensure implications of assigning copyright are understood by relevant parties
  • 10. Assign copyright to new owner according to legislative requirements
  • 11. Confirm and agree with relevant parties the degree to which artists/publishers may control use and exploitation of original work under assignment of copyright
  • 12. Accurately record terms of assignment of copyright into a formal contract that is signed by relevant parties
License rights to original works
  • 13. Confirm and agree to territories in which licensing rights may be exercised with relevant parties
  • 14. Confirm and agree to the timeframe of the licence with relevant parties
  • 15. Confirm and agree to the terms of exploitation of the original work/licence with relevant parties
  • 16. Confirm and agree on the creative control of the original work with relevant parties
  • 17. Negotiate fees relevant to the context of the deal with relevant parties
  • 18. Confirm and agree on the responsibility for enforcing copyright against infringement
  • 19. Accurately record and store terms relating to the licensing deal into a formal contract that is signed by relevant parties
Maintain copyright documentation
  • 20. Store copyright documentation in a secure and accessible form (for retrieval where required)
  • 21. Identify and confirm responsibility to comply with conditions of copyright agreement
RANGE STATEMENT
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Original works may include:
artistic works, e.g. paintings, drawings, cartoons, sculpture, craft work, architectural plans, buildings, photographs, photographic imagery, maps, plans, special effects make-up
broadcasts, e.g. television, radio
cinematograph films, e.g. film, video, DVD
compilations, e.g. anthologies, directories, databases
computer programs
dramatic works, e.g. choreography, screenplays, plays, mime pieces, performances
musical works/performances
published editions
sound recordings/performances
textual material, e.g. journal articles, novels, screenplays, poems, song lyrics, reports.
Copyright issues may include:
exploited reversion triggers
length of control period after expiration of term
non-exploited reversion triggers
ownership of materials
term of licence or assignment.
Exclusive rights may include:
communicating the work to the public
importing the work into Australia
licensing and assigning the work
making an adaptation of the work
making the work public for the first time
performing/showing/transmitting the work in public
reproducing the work
synchronising the work
translating the work.
Relevant parties may include:
agents/artists' managers/industry managers
artists
employee associations/union representatives
industry/industry association representatives
legal representatives
licensers/publishers.
Licence may include:
exclusive licence
implied licence
non-exclusive licence.
Creative control may include:
right of approval of sub-licensing or assignments
selection of material
selection of producers
to what extent and how the work may be recast
ways in which the work is exploited.
Fees may include:
advance recouped against royalty
outright fee or royalty, or a combination of both.
Documentation may include dated copies of:
artwork
contracts
digital media products
footage
letters or other communications with people who have access to the original work
manuscripts
music, presented in any media or format
negatives/photographs/photographic imagery
recordings
scores (music/film).
EVIDENCE GUIDE
The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the following is essential:
ability to research and/or seek appropriate assistance to manage and exploit copyright
understanding of the difference between assignment and licensing of copyright
understanding of the role of organisations relevant to copyright legislation and business.

Context of and specific resources for assessment
Assessment must ensure:
access to copyright, intellectual property and licensing legislation, including the Copyright Act 1968 and Copyright Amendment (Digital Agenda) Act 2000
access to an environment where original work can be commercially exploited under copyright
access to reliable legal advice where required
access to appropriate technology to prepare copyright documentation
access to appropriate learning and assessment support when required
use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed.

Method of assessment
The following assessment methods are appropriate for this unit:
direct observation of the candidate managing and exploiting copyright arrangements
case studies to assess ability to research commercial exploitation opportunities
written and verbal questioning or interview to test knowledge of assigning and licensing of copyright
problem solving activities to assess ability to solve problems arising from negotiating deals
review of portfolios of evidence and third party workplace reports of on-the-job performance.

Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
BSBSMB401A Establish legal and risk management requirements of small business
FNSICGEN402A Participate in negotiations.
Replaced By
State Code National Code Title Type
AWJ56 CUACMP501 Manage copyright arrangements Unit of competency